I really don’t know how objective my subjective pessimism is, but the ghost of a certain decline has stubbornly seemed to me for the past few years. Atrophy of musical perception? Decadence? Satiety? Perhaps the last. I recall one of Murphy’s laws: “The sum of the mind on the planet is a constant value, but the population is growing.” Paradoxical as it may seem, but perhaps from the general “Internetization” of the musical space, coupled with the increasing degree of accessibility of musical creation to the average layman, we no less lost than we won.
It’s bad when the Artist has no canvas and paints, they will tell me. Even worse, when every mediocrity has brushes and an easel, I object. As one of the laws of biology states, each population, which is an organic part of the Continue reading
The exercises of this system are aimed at releasing the voice from tension, at developing and strengthening it, primarily as a human instrument and as an actor’s tool. It is, rather, the release of a natural voice, rather than the development of voice technology. (But I think that it will be very useful for the vocalists to get some relaxation, release from the clamps.)
The goal of the Linklater method is to force the intellect to form a voice in direct contact with emotional impulses, without being an obstacle. Since the sounding voice is the result of physical processes, the muscles of the body must be free of tension in order to become susceptible to the impulses of the brain that generate speech. The natural voice is most noticeably blocked and distorted by physical stress. He also suffers from emotional, intellectual, and emotional stress. All these interferences are of a Continue reading