Hugo Zucarelli and Holophony
Recent revolutionary discoveries of the Argentine-Italian researcher Hugo Zuccarelli have extended the holographic (holographic) model to the world of acoustics. Hugo Zucarelli is the inventor of holophonic (holophonic) sound technology.…

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Good sound and all you need
This article will help you choose the equipment that best suits your tasks. Here we will try to talk not so much about HOW these or those devices are arranged,…

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On the perception of sound and music. Sound Perception and Compression
Simple compression methods Traditional lossless compression methods (Huffman, LZW, etc.) are usually poorly applied to compressing audio information (for the same reasons as when compressing visual information). Some lossy compression…

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imperceptible

Revitalizing MIDI Drums

Many may rightly argue that the great advantage of sampled, electronic drums is that they don’t force you to use ‘realistic’ rhythmic patterns or drum sounds. Most dance music, for example, is created using incredibly fast, accurate patterns and sounds that have only the most superficial relation to something that can be reproduced by hitting a stretched drum skin with a wooden drumstick. The ability to create rhythms by programming, layer by layer and step by step, of course, offers great scope for imagination and freedom from technical and sound restrictions imposed when it is necessary to play and record a real drummer.

However, it happens that the sound and feeling of a real drum part is required, and circumstances – time, place, lack of funds or lack of a drummer – force people who themselves do not play the drums to “rattle” something in the sequencer. And, although the sequencer part will never be a perfect imitation, there are many things you can do to make it seem more convincing. Continue reading

Microphone for home music studio

Which musician did not encounter the problem of choosing a microphone ‘Often, when they come to the store, most of them simply don’t know what their microphone should be like. Why is a capacitor better or worse than a dynamic one, in which cases to take the “eight”, and in which cases – the usual cardioid, and so on … Eyes run wide, and as a result of the huge assortment the choice falls on anything, but not what really necessary. But actuallychoosing a  microphone is not so difficult. Walking through the windows, you should mainly pay attention to only three points – type, orientation and frequency range – in case you select a microphone for a specific instrument or voice.

Suppose you have decided on a frequency range, since today there are many universal microphones that can work well with a large number of different tones. Now let’s find out which type of microphone is most suitable for your working environment. There are two types of microphones used today – dynamic and Continue reading

The secrets of low-budget music creation technology
Many musicians and sound engineers underestimate the capabilities of modern computers. Many musicians and sound engineers underestimate the capabilities of modern computers, music applications, and inexpensive sound cards. At the…

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Basic concepts of sound engineering. Terms in sound engineering
In a sense, sound engineering is the science of distortion, with which there is a continuous struggle on all sections of the sound path. All distortions can be divided into…

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How significant is the music?
Music - what is it? Where did it come from, and in general, why does it exist? It would seem that the questions are worthy of a child, and the…

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About the direction of the microphone. Microphone directivity
By the angle of sound pickup or directivity, we mean the zone of the possible location of the source of the sound signal, inside of which there is no significant…

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