Many may rightly argue that the great advantage of sampled, electronic drums is that they don’t force you to use ‘realistic’ rhythmic patterns or drum sounds. Most dance music, for example, is created using incredibly fast, accurate patterns and sounds that have only the most superficial relation to something that can be reproduced by hitting a stretched drum skin with a wooden drumstick. The ability to create rhythms by programming, layer by layer and step by step, of course, offers great scope for imagination and freedom from technical and sound restrictions imposed when it is necessary to play and record a real drummer.
However, it happens that the sound and feeling of a real drum part is required, and circumstances – time, place, lack of funds or lack of a drummer – force people who themselves do not play the drums to “rattle” something in the sequencer. And, although the sequencer part will never be a perfect imitation, there are many things you can do to make it seem more convincing. Continue reading
Which musician did not encounter the problem of choosing a microphone ‘Often, when they come to the store, most of them simply don’t know what their microphone should be like. Why is a capacitor better or worse than a dynamic one, in which cases to take the “eight”, and in which cases – the usual cardioid, and so on … Eyes run wide, and as a result of the huge assortment the choice falls on anything, but not what really necessary. But actuallychoosing a microphone is not so difficult. Walking through the windows, you should mainly pay attention to only three points – type, orientation and frequency range – in case you select a microphone for a specific instrument or voice.
Suppose you have decided on a frequency range, since today there are many universal microphones that can work well with a large number of different tones. Now let’s find out which type of microphone is most suitable for your working environment. There are two types of microphones used today – dynamic and Continue reading
The sound of even the most beautiful branded dynamic heads (speakers) without a case, as well as the measured technical characteristics, is absolutely not impressive … But this circumstance can only be bewildering for beginners. We all understand well that a speaker without a box is just like a string without a guitar. The role of this box is so great that they gave it their serious name – acoustic design. And only a harmonious combination of good heads with a well-built acoustic design as a result ensures a decent sound quality of the speaker system (AC). This inevitably leads to the thought of a significant influence on the sound properties of the room itself, in which the music is played.
Rooms, rooms and rooms of various sizes – our housing – turn out to be full participants in the Continue reading