Often there is one and the same main problem with vocalists – constriction of the voice, as a result of tension of the vocal apparatus (in the neck) – external muscles that are not involved in the process of sound formation, but are always ready to come to the aid of the vocalist – to draw out one or another note, to correct intonation …
At the same time, it becomes difficult to control the voice and the sound quality leaves much to be desired …
But this is just the intervention of the external muscles and is not desirable …
The internal muscles located inside the larynx and participating in sound formation are able to independently control the vocal apparatus without unnecessary interference of the external muscles. Continue reading
Vocalist (from the Latin words vox – “voice” and vocalis – “sounding”) – a musical profession, a role in a musical collective, involves the performance of various vocal parts.
Now, the term vocalist almost coincides with the term singer, but in modern pop music it is interpreted somewhat more broadly, in particular, implying the possibility of recitation, recitative, etc.
Singer – the one who sings, is engaged in singing. Artist of vocal music: songs, romances, arias, choirs, singles, etc. A musician who performs music on a musical instrument, which is his own voice. The singer is the most common type of vocalist. Continue reading
Many years ago they made a musical revolution, and since then all modern musicians have been praying for them: from DURAN DURAN and RED HOT CHILI PEPPERS, to Madonna and PRODIGY. They created their own universe, a mechanical electronic universe, and they are the gods of this music, and maybe, by the way, non-living gods. During a Russian tour of the band, Ralph Hutter, one of the founders of the KRAFTWERK band, came to the Silver Rain radio station. After distributing several autographs and agreeing to a couple of photos, Ralph went to the studio to give an interview to the leading radio station Vladimir Orlov and answer questions from the audience.
VLADIMIR ORLOV: In KRAFTWERK music, you pay special attention, first of all, to the timbre of the synthesizer, to the coloring of your music. You know, when I listen to you, I feel something so warm in my stomach. And from here the first question: is this some kind of musical trick of graduates of the conservatory; maybe – pressure on the subconscious or the result of some kind of musical research? Continue reading