“The poet owns the form, and the content belongs to the history and reality of his people” (Belinsky; compare Glinka: “The people compose music, we only arrange it”). Consequently, the artist’s task is to discover (and not invention) the content and invention for him the form corresponding to him (expressing the form in a broad, philosophical sense).
Chernyshevsky argued that art is a weak likeness of life and that, for example, paintings depicting the sea are needed only by those who have not seen the real sea. But it seems that the old woman, who served as the original for the Rembrandt picture, did not attract such attention as this picture, and that the living Continue reading
In Cakewalk, the Staff instrument is one of the most convenient and important means of creating a melody. For musicians using classical musical notes, guitarists who are accustomed to the guitar fretboard and tablature, this instrument is simply necessary. It greatly simplifies the process of musical creation.
So, in order to activate the “Note Mill”, you need to start Cakewalk and select Staff from the View menu. A window like this opens:
At the top of this window is a panel with operation buttons. The first four of them control the process of applying notes to a stave:
Cakewalk: working with a stave (About working with a stave in Cakewalk) Continue reading
Classically, the sound spectrum is divided into three parts: low, medium and high frequencies. The frequency limits, although not everyone agrees with this, can be denoted as follows: low from 10 Hz to 200 Hz, medium from 200 Hz to 5 kHz, and from 5 kHz – high. For a more precise definition, let’s divide these three parts into smaller ones and consider them separately.
1) Low bass (from 10 Hz to 80 Hz) – these are the lowest notes from which the room resonates, and the wires begin to hum. If your audio equipment does not reproduce these frequencies, you should experience a loss of saturation and depth of sound. Naturally, when recording and mixing, the loss of these frequencies will cause the same effect.
2) Upper basses (from 80 Hz to 200 Hz) are the top notes of bass instruments and the lowest notes of Continue reading
A mechanical sound recording is based on cutting (or extruding) grooves in the material of a recording medium using a sound recording device — a recorder. When playing along the groove, the needle of the reproducing device – the pickup – moves (moves).
In the process of developing a mechanical recording, two main methods for modulating a groove were proposed: transverse, in which the cutter oscillates left and right from the neutral position and the groove of constant width acquires twists, and deep, in which the cutter moves up and down from the neutral position, cutting out the groove of variable depth and width.
About mechanical sound recording (mechanical sound recording)
Type of modulated groove for transverse and deep recording
All preliminary operations for recording and editing phonograms are carried out using magnetic recording. The finally mounted magnetic phonogram is transferred to a mechanical one on a mechanical recording machine. It has a massive Continue reading
The current search for timbre moves to other areas and is associated with the emergence of two completely new ways of making music for the European history of music. The first of them was called the “ensemble of soloists.” In such an ensemble all the instruments of the symphony orchestra (or most of them) are presented, but in a single copy; in most cases, such a team is led by a conductor. Unlike an orchestra, there is no traditional division into “accompanists” and “regulators”. Each of the musicians is able to play very complex parts both on the main instrument and on various kinds (for example, in the order of things, for example, a situation where a flutist plays a large flute, piccolo, alto and bass flutes during one composition).
Since its inception, this type of ensemble has gained enormous popularity in music practice and a vast Continue reading