About sound synthesis methods. Sound Synthesis Methods
A single-voice or monophonic synthesizer is a synthesizer that can play only one note at a time, that is, you will not play a chord on such a synthesizer. Rather,…

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Good sound and all you need
This article will help you choose the equipment that best suits your tasks. Here we will try to talk not so much about HOW these or those devices are arranged,…

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Equalizers and their application
Graphic equalizer is a multi-range corrector of the amplitude-frequency characteristics of electric sound signals. The boundaries of the full range of frequencies in which the amplitude-frequency characteristic is corrected are…

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oscillations

Equalizers and their application

Graphic equalizer is a multi-range corrector of the amplitude-frequency characteristics of electric sound signals. The boundaries of the full range of frequencies in which the amplitude-frequency characteristic is corrected are determined by the range of frequencies perceived by the human ear. The lower limit of this range is sound vibrations with a frequency of 20 Hz. (oscillations per second), and the upper – 20 KHz. (thousand oscillations per second).

The graphic equalizer, depending on its accuracy, determined by the width of one band, may contain a different number of ranges in which the values ​​of the amplitude-frequency characteristics are set. For example, with a bandwidth of one octave, the equalizer will contain 10 bands, with a bandwidth of 1/2 octaves – 15 bands, and Continue reading

Several microphones. Three to One Rule

Interference is the phenomenon of amplification of oscillations at some points in space and weakening of oscillations at other points as a result of the superposition of two or more waves arriving at these points. Wave interference is possible if the phase difference of the waves is constant in time, i.e., the waves are coherent. Wave interference is valid for waves of any nature and frequency.

When recording from several microphones, it is necessary to take care of their phasing: the signals from the microphones should not fall into the recording path in the opposite phase, since this can lead to their mutual compensation up to the complete disappearance. Without noticeable distortion of the timbre caused by interference of direct and reflected signals, the microphone can be brought closer to any reflecting surface at a distance of at least 1-1.5 m. Continue reading

Hits are born at home. Review article for beginner musicians
What to learn to play? The training problem is one of the most important, but, unfortunately, the least covered, which often leads to disastrous results in terms of creative growth:…

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About the direction of the microphone. Microphone directivity
By the angle of sound pickup or directivity, we mean the zone of the possible location of the source of the sound signal, inside of which there is no significant…

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Klaus Schulze. About the music. Interview
Any music, except for dance, which is intended directly for dancing, it seems to me, is intended for the spirit of a person, and not for the body. There is…

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Music: tempo, rhythm and meter. About pace, rhythm and meter
The tempo in music is the speed of metric counting units (the ratio of the number of events that happened to the time they took). According to a long tradition,…

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